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Evaine Sun

B.S. Integrated Design and Media
minor in Anthropology
(about to graduate though)

Evaine 3.png

Interactive
Silk Road

senior project, collaborative

3 months, continuous, 2025

#digital heritage, #exhibition design, #immersive exhibition, #multisensory experience, #installation, #photogrammetry, #3D modeling, #projection mapping, #embroidery, #prototyping, #printing, #acrylics, #laser cutting

Nikon D850, Reality Capture, Autodesk Maya, Blender, MapMap, Adobe Premiere Pro, Adobe Illutrator, Canva, PFAFF, Inkscape, Premier+2, Epilog Laser

Interactive Silk Road is a multisensory installation that explores the intersection of the physical and digital worlds. It features four regions, each showcasing representative cultural artifacts—many recreated with acrylics and holograms, alongside physical samples and embroidered fabrics. This project was my senior project, created in collaboration with Sofia. I mostly focused on creating the virtual representations of the featured artifacts, including the photogrammetric 3D model of Buddha Dipankara, projection mapping onto engraved acrylics, and holograms of the interlocked acrylics. Together, we also worked on embroidery, exhibition materials, and installation.

Introduction

Interactive Silk Road is a multisensory installation that explores the intersection of the physical and digital worlds. It features four regions, each showcasing representative cultural artifacts—many recreated with acrylics and holograms, alongside physical samples and embroidered fabrics.

Motivated by the need for both preservation and accessibility, our project will be focusing on digital heritage, emphasizing the integration of digital and physical experiences in cultural exhibitions. By leveraging digital and virtual museum concepts, we aim to create an interactive installation that deepens engagement with cultural heritage while promoting the awareness and preservation of history. Through this project, we seek to challenge and reduce stereotypes, prejudice, and discrimination associated with cultures, countries, and identities. By offering an immersive and interactive experience, we hope to make cultural heritage more tangible, engaging, and meaningful for a wider audience.

rough divisions of  4 regions along the Silk Road featured in our project and exhibition materials

moodboard

calendar keeping track of working progress (artifacts being featured are coded, S=Sofia, E=Evaine)

Project Plan (click to view)

draft table of artifacts featured in each division/region

research on artifacts, Silk Road, and representation methods

Artifacts being featured​​:

  • Buddha Statue: Buddha Dipankara (engraved acrylic and photogrammetry) -  SC2 and EA1

  • Camel Bell (interlocked acrylic and hologram) -  SA3 and EA2

  • Cave Art Mural: Pipa Player (engraved acrylic and projection mapping) -  C1

  • Grapes (physical samples) - E

  • Islamic Calligraphy (engraved acrylic and projection mapping) -  C3

  • Jade: Nephrite Jade (physical samples in acrylic containers) - B and E

  • Metalware: Gothic Chalice (interlocked acrylic and hologram) -  SA2 and EA2

  • Porcelain: Vase (interlocked acrylic and hologram) -  SA1 and EA2

  • Silk: Lottus Pattern (embroidery) - D

  • Spices: Dried Limes, Sumac Berries, Golpar, Cumin (physical samples in acrylic containers) - B and E

  • Tea: Green, Black, Oolong, White (physical samples in acrylic containers) - B and E

  • Wool (knitting) - D and E

Process Website (click to view)

Engraved Acrylics and Photogrammetry

Buddha Statue: Buddha Dipankara​​​

v1 in Prodrafts and laser cut wood prototype (Sofia)

v2 with modified details and laser cut acrylic prototype (Sofia)

outer loop of on-site photogrammetry (Evaine)

inner loop of on-site photogrammetry (Evaine)

point cloud model in Reality Capture (Evaine)

raw mesh model in Reality Capture (Evaine)

cleaned model in Reality Capture (Evaine)

textured model in Reality Capture (Evaine)

rendered details (Evaine)

rendered turntable (Evaine)

9a Dissolve Effect.jpg
10a Dissolve Effect Preview.gif

point cloud model with dissolve effect in Blender (Evaine)

11b Final Render Premiere Pro.png

final video with dissolve effect in Adobe Premiere Pro (Evaine)

Engraved Acrylics and Projection Mapping

Cave Art Mural: Pipa Player

outline traced in Adobe Illustrator and laser cut wood prototype (sofia)

laser cut acrylic prototype (Sofia) and rear projection testing

Islamic Calligraphy

outline traced in Adobe Illustrator and laser cut wood and acrylic prototypes (sofia)

Projection Mapping

projection mapping in MapMap (Evaine)

Interlocked Acrylics and Holograms

Porcelain: Vase

outline design in Adobe Illustrator and laser cut wood and acrylic prototypes (sofia)

model reassembly and lighting optimization in Autodesk Maya and rendered turntable (Evaine)

Metalware: Gothic Chalice

j2.png
j3.jpg
j4.png

outline design in Adobe Illustrator and laser cut wood and acrylic prototypes (sofia)

j5.png

model reassembly and lighting optimization in Autodesk Maya and rendered turntable (Evaine)

Camel Bell

k2.jpeg
k3.jpeg
k4.jpg

outline design in Adobe Illustrator and laser cut wood and acrylic prototypes (sofia)

k5.png

3D modeling in Autodesk Maya and rendered turntable (Evaine)

Holograms

l1.png
l2.jpg

paper prototyping and testing of hologram boxes (Evaine)

Physical Samples and Acrylic Containers

Physical Samples​​:

  • Grapes

  • Jade: Nephrite Jade

  • Spices: Dried Limes, Sumac Berries, Golpar, Cumin

  • Tea: Green, Black, Oolong, White

Audiences are welcomed to taste the grapes, touch the jade, and smell the spices and tea.​

laser cut acrylic containers ​(Sofia)

Embroidery and Knitting

Silk: Lottus Pattern

image trace in Adobe Illutrator

layer processing in Inkscape

embroidery with PFAFF machine

divided into sections because of the limitation of the embroidery machine

embroidery setup in Premier+2

assembled embroidered pieces that audiences can touch

Wool

sample knitted yarn on a 3D printed knitting loom that audiences can continue to knit

Exhibition Materials

Artifact Labels

labels of featured artifacts

labels of each spice and tea

printed labels ready to be cropped and punched

interaction hints on the other side of the labels

Brochure

front page includes general descriptions of all the featured artifacts

cropping and folding brochures

back page includes exhibited positions of each featured artifact on the four frames

sample folded brochure

Audio Guide

Installation and Showcase

Installation

installation mockup

installation testing in a low-light environment

frame positioning testing: 65 x 32 inch for one frame; 10 feet (length), 7 feet (depth), 6 feet (height) in total

installation on showcase day

Installation

s1.jpg

showcase installation (regular lighting)

audience interacting with the installation

s2.jpg

showcase installation (lights on in low-light environment)

Sofia (left) and Evaine (right) after showcase

Reflection and Acknowledgement

Senior Project was an unforgettable experienc. Teaming up with Sofia, we supported each other through the semester, spending hours ideating, working late nights at 370 Jay Street and the Makerspace, and pushing ourselves to try new things. We weren't sure how our teamwork would play out, but knowing this was our last chance in undergraduate studies made us determined to give it our all. We were excited when sparks of inspiration struck. We were anxious not knowing how long using a new skill to feature an artifact will take us, but we still chose to learn embroidery from scratch and apply it with countless troubleshooting. We were grateful when we receive feedback and support from people and departments around us, and we kept ourselves on track with a calendar to manage all the components needed to complete the final installation.

 

All the documentation above only capture part of the journey. Behind the scenes were countless moments of problem-solving and persistence: securing funding, hauling materials from labs, finding alternative solutions when our first ideas failed. Time was never enough. We set milestones for each featured artifact, but there were always things beyond predict. Installing heavy objects with fishing wires was unexpectedly difficult and time-consuming. We also wished we had been more thoughtful in designing the lighting and flow of our installation during the showcase so that audiences could get a better sense of each exhibited artifact. It was a learning experience, giving us lessons on exhibition design, project management, and hands-on installation—skills that extend beyond creative practices on screens. There's a lot we could improve, but we leave this project feeling satisfied and motivated because of our love in design, media, and cultural heritage.

We extend our heartfelt thanks to our team members Sofia and Evaine, our supervisor Carla, our classmates and friends, NYU Tandon Undergraduate Academics, all the machines and tools, and the IDM (Integrated Design and Media) program for their support.

On this page or go back?
On this page
  • Introduction

  • Engraved Acrylics and Photogrammetry

  • Engraved Acrylics and Projection Mapping

  • Interlocked Acrylics and Holograms

  • ​Physical Samples and Acrylic Containers

  • Embroidery and Knitting

  • ​Exhibition Materials

  • Installation and Showcase

  • Reflection and Acknowledgement

Other Archived Projects
  • Digital Heritage Exhibition

  • Charity: Water Marketing Campaign

  • Tianzige NGO’s Official Website

  • Walligraphy

  • Jackson Square Fountain

  • Houyi Shoots the Sun

  • New York Series

  • Character Introduction

  • Fishing Day

  • Shanghai Series

  • Stone of the Sun

  • Quiet Time Room

  • Electromagnetic Gun

  • Acrylic Paintings

  • Modular Font

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